Friday, July 23, 2010

Convergence Day 2



Convergence 2010. This is the first Convergence I have been to, and I have to say that I was a little overwhelmed at the beginning. They put a little sticker on your badge that says "First Timer". I guess this is so the other people wandering around with orange HGA bags can help you out if you look too lost.

I got here yesterday and first thing I did was buy a spinning wheel. I wanted to get that task out of the way right away and was glad I did because the inestimable Jim from Yarn Barn of Kansas sold me the only one of these wheels he had and I can take it home Sunday. I have a third of my latest piece left to do and need that wheel to avoid further lateral epicondylitis from trying to ply yarn with my fingers.

James Koehler's book is out and here he is at his book signing with apprentices Sheila Burke and Nancy. I haven't had a chance to read the book yet, but it is full of color photos which are nicely printed. It is truly an art book. It is available on his website.

This is what you see when you first walk into the Albuquerque Convention Center--the yardage exhibit. The fabric is beautiful. If you walk up into the balcony you can actually feel swatches of it.

The vendor hall is a treasure trove. I have given myself very very strict instructions about what I can purchase there. I probably should have some sort of technological lock on my credit card. I usually buy many books while at conferences and it has taken a lot of willpower for me not to buy more than one. This time there were only two items on my shopping list, and on the second day, I have purchased both of those items and as they were both pricey, have told myself I can do no further purchasing as much as yarn like this calls to me! This is the Weaving Southwest booth. Their yarn is hand-dyed and gorgeous.
The two items were, as I mentioned above, the spinning wheel (ended up with a Schacht Ladybug which was not at all what I expected. But after trying the other candidates, it seemed to fit my needs and body the best. I hope I like it!) and James Koehler's new autobiography, Woven Color.
I have taken three classes so far. I took a free form knitting class from Adrienne Sloane which was interesting. She was hilarious and I appreciated the less-than-gentle nudge to try knitting without patterns. It is a good lesson in letting go of control... and in creating a mess and knowing how to fix it! I definitely created a mess. But I learned how to short-row and then knit off in another direction AND how to knit backwards. I'm proud of the last one. Not sure when I'll use it, but maybe if I do entrelac one day...

This morning I took a class from a fantastic Brit named Stacey Harvey-Brown about ancient and archival textiles. The description of how to make velvet blew me away--I had no idea. And the stream of photos of fabrics from the last 500 years which she has studied in libraries and museums across Europe was stunning.

This afternoon I took a class about photographing artwork. I am happy to report that I already knew how to do this. I thought maybe there were some magic secrets that I wasn't getting, but really everything I have been doing is right. I just have to put that new camera to use and keep shooting.

This evening I am going to Paisanos for a fantastic Italian gluten free meal (I cannot say enough good about this restaurant. They gave me hope for my gustatory future when I had none) and then to see a tapestry show I have been wanting to see.

2 comments:

  1. Oh, I'm so glad you are sharing your Convergence experience, as I won't get to be there. I'll enjoy it through your eyes this year!

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  2. I will have to do a better job of describing it then! I think once I get home Monday and have time to organize my thoughts and all the myriad of inspiration and comments from people, I will have more cohesive things to say. But at least I can throw up a few pictures for the feel of it.

    I just went to see Dialogues: Tapestry and Human/Nature with Dorothy Clews, Linda Wallace, Elizabeth Buckley, Katherine Perkins, Elaine Duncan, and Lany Eila (tapestry weavers all). There was some fantastic work in that show. I have to say I am partial to Lany Eila's work--I just adore the softbook piece that will be in ATB8. I think it reminds me of my own upbringing.

    Also Kathy, I loved your duck piece (sorry, can't remember the name at the moment) in the small format ATA show in Santa Fe. It is one of my favorite pieces in the show. I'll say hello to it again when I go to the opening on Sunday.
    Cheers! Rebecca

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