I had the opportunity to visit the conservation department at the Denver Art Museum last month. We looked at some large 16th century tapestries that are being stabilized for the upcoming tapestry exhibition and then, when the class had dispersed, textile conservator Allison McCloskey pulled out the James Koehler piece that is in their collection.
James Koehler, Chief Blanket piece, in the collection of the Denver Art Museum |
James Koehler, Chief Blanket detail |
If you'd like to see what I wrote in years past, here are the links.
2014 Three Years Passes in a Flash
2013 James Koehler, 2 years gone
2012 James and the cranes
2011 James
You can now buy James Koehler's autobiography, Woven Color, on Amazon. It is a beautiful book and a well-told story of a journey lived in tapestry. http://amzn.to/1GKrNbT The book is self-published through Blurb Publications and you can also buy it directly from them.
James loved teaching. In his book he had this to say about that part of his career:
I want to continue to teach because the world of tapestry has enriched my life in so many ways. I want to pass on that gift to a new generation of weavers who are willing to learn from me. Tapestry weaving is an art form that does not get a lot of attention from the mainstream art world. I hope my work will help to change that…. [Tapestry] is an art form that enables people to enter into their own creative process where they can explore the medium and expand the possibilities that are inherent in it… I like to live my life from the vantage point of considering unexplored possibilities, and I am passionate about approaching my work in the same way. (Koehler 253)I also love teaching. I didn't learn this from James, but I do understand it. I have been teaching various things since I was a kid playing school with my little sister, but teaching tapestry is the best thing I have ever done. When I look back at the last four years of my studio career, I sometimes indulge myself a little bit and think, "James would be proud."
Reference
Koehler, James, & Carole Greene. Woven Color: The Tapestry Art of James Koehler. Blurb Publications, 2010.
Nice.
ReplyDeleteCheryl
I went back and read all these tribute posts you've written and they are all beautiful. I saw a picture of Jame's tapestries hanging on the wall in the post with the crane's and I wanted to know how did those tapestries get framed that way? They are amazing. In particular how are the corners done so there is not an excess build up of weaving?
ReplyDeleteJames had a carpenter make a complicated frame for each piece and then he sewed another complicated attachment system with black cloth (the tapestry only goes to the outside edge of the frame--it is flat and doesn't go over the corner) and velcro.
DeleteVery proud!
ReplyDeleteYou should be proud!........I took a workshop from James Koehler not long before he passed and I was so shocked.......sad to know his hands would not be weaving these beautiful works of art anymore......(well maybe he is!)..........one of my favorite parts of the workshop was watching his hands doing their thing!
ReplyDeleteI didn't know James Koehler but saw his tapestries online through your postings about him. I was thinking about him last night and his awe-inspiring Harmonic Oscillation series. Thank you Rebecca, for keeping his spirit alive -- Hitomi
ReplyDeleteHe would be so proud of you....your own growth and ongoing commitment to growing the tapestry community. Joanne
ReplyDeleteThat's very interesting. Thank you for your reply.
ReplyDeleteI received this comment on the blog 3/6/15 and hit the Delete button on the moderation accidentally: Miranda Hewitt, I apologize.
ReplyDelete"I very much enjoyed reading about J Koehler as your blog. I appreciated the blue diamond/square but could you explain about butterfly tabs?"
Miranda, I'm not actually sure what you're asking?! I don't know that there was any extra meaning to the form--just what he wove. It is all flat-woven tapestry.